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On the same note, since July 25, 2021, President Kais Saied has decided to hold early parliamentary elections, which will take place on December 17, 2022. This decision follows the adoption of a new constitution for Tunisia and a decree amending the electoral law, introducing major changes in the electoral process.
A shift from a list system to a single-member constituency system, the requirement to obtain 400 sponsors, the end of public funding... All these changes have created difficulties for candidates. Some constituencies find themselves with only one candidate or none at all.
In this 8th episode of inkytalk, our guests deconstruct these procedural absurdities, their impact on the electoral process and timetable, and analyze the role that the next parliament will play following these elections.
Haythem Benzid : Program Coordinator on Governance at All Bawsala.
Rahma Bouhali : Project Manager on Elections at Mourakiboun.
Moderator : Emna Chebaane, Editorial Director of inkyfada
Inkyfada Podcast is the first platform entirely dedicated to original Tunisian podcasts, and was conceived by Inkyfada media in collaboration with the in-house research and development laboratory, InkyLab. Inkyfada joined the global podcast boom in 2017, when the team produced the first Tunisian audio documentary, diving deep into the belly of the El Kamour struggle taking place in the desert. Since then, Inkyfada Podcast has produced a wide variety of documentaries, investigations, and podcast series, as well as articles accompanied by music; covering a multitude of contemporary issues in order to offer an immersive and alternative podcast experience. Whilst exclusively offering audio content, the Inkyfada Podcast team upholds the same core values and principles of inkyfada.com, and is committed to producing high quality content though a dynamic and meticulous production process. In addition to the permanent team, Inkyfada podcast works closely with various journalists, artists, illustrators, musicians and other content creators in order to diversify the platform and support artistic creativity. These podcasts differ from traditional radiophonic content in that the applied production and editing process is more akin to cinematographic techniques, in addition to being web-based, downloadable and accessible on demand. Additionally, Inkyfada Podcast uniquely offers subtitles in French, Arabic and English for all audio content, the majority of which is recorded in Tunisian or in the preferred language of the speaker in question.