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For years, the role of the IMF has grown more and more important in Tunisia. In exchange of loans worth billions of dollars, Tunisia has to apply increasingly severe austerity policies.
Are these agreements and reforms really appropriate for the country? In this new episode of inkytalk, our guests have tried to analyze the long-standing relationship between the IMF and Tunisia and to unpack these agreements.
Amine Bouzaiene: Researcher in social and fiscal equity
Kais Attia: Public policy analyst at the NGO Al Bawsala
Issa Ziadia: Journalist at inkyfada
Moderator: Emna Chebaane, Editorial Director of Inkyfada
Inkyfada Podcast is the first platform entirely dedicated to original Tunisian podcasts, and was conceived by Inkyfada media in collaboration with the in-house research and development laboratory, InkyLab. Inkyfada joined the global podcast boom in 2017, when the team produced the first Tunisian audio documentary, diving deep into the belly of the El Kamour struggle taking place in the desert. Since then, Inkyfada Podcast has produced a wide variety of documentaries, investigations, and podcast series, as well as articles accompanied by music; covering a multitude of contemporary issues in order to offer an immersive and alternative podcast experience. Whilst exclusively offering audio content, the Inkyfada Podcast team upholds the same core values and principles of inkyfada.com, and is committed to producing high quality content though a dynamic and meticulous production process. In addition to the permanent team, Inkyfada podcast works closely with various journalists, artists, illustrators, musicians and other content creators in order to diversify the platform and support artistic creativity. These podcasts differ from traditional radiophonic content in that the applied production and editing process is more akin to cinematographic techniques, in addition to being web-based, downloadable and accessible on demand. Additionally, Inkyfada Podcast uniquely offers subtitles in French, Arabic and English for all audio content, the majority of which is recorded in Tunisian or in the preferred language of the speaker in question.