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kids off the grid

Le temps qui nous était accordé est déjà dépassé depuis longtemps. Pourtant, une dernière porte reste entrouverte. Derrière les bureaux administratifs et les protocoles officiels, une autre rencontre s’organise, plus discrète. Pour y parvenir, il faudra franchir une frontière invisible à l’intérieur même du camp.
04 March 2026
series [{"user_id":"1473","role":"Editorial support and sound design"},{"user_id":"1408","role":"Illustration and digital art"}] https://inkyfada.com/wp-content/uploads/2026/03/Podcast-Les-Femmes-de-Daech-des-tunisiennes-dans-les-camps-syriens-Episode-05.mp3 https://inkyfada.com/wp-content/uploads/2026/03/SubtitleTools.com-Sous-titre-EPISODE-5.srt Podcast : Les Femmes de Daech: des tunisiennes dans les camps syriens - Episode 05 : Des enfants hors du temps | بودكاست: "تونسيات في المخيمات السورية " - الحلقة 05 : أطفال خارج التغطية .. | Episode 05 : Kids off the grid Episode 05 : Des enfants hors du temps | الحلقة 05 : أطفال خارج التغطية The Women of Daech: Tunisian women in Syrian camps - Episode 05 : Kids off the grid

كان الوقت المسموح لنا به قد انتهى منذ مدة. ومع ذلك، ظلّ باب أخير موصدا. خلف المكاتب الإدارية والإجراءات الرسمية، كان لقاء آخر يتشكّل، أكثر هشاشة وأكثر غموضًا. للوصول إليه، كان علينا عبور حدود مجازية داخل المخيم نفسه.

The time we were granted had long run out. Yet one last door remained slightly open. Behind administrative offices and official protocols, another encounter began to take shape—more fragile, more uncertain. Reaching it meant crossing an invisible boundary inside the camp itself.

Le temps qui nous était accordé est déjà dépassé depuis longtemps. Pourtant, une dernière porte reste entrouverte. Derrière les bureaux administratifs et les protocoles officiels, une autre rencontre s’organise, plus fragile, plus incertaine. Pour y parvenir, il faudra franchir une frontière invisible à l’intérieur même du camp.


93999
Created by
Malika Cécile Louati
Editorial support and sound design
Oussema Gaidi
Illustration and digital art
Hathemi Smedhi

In this episode, the team continues meeting women living inside the camp despite the restrictions imposed by authorities. As interviews unfold, an unexpected invitation leads to a new set of conversations, away from official oversight.

Through these exchanges, new voices emerge, revealing an even more complex reality. But stepping outside the planned framework carries risks, and the team soon realizes that some parts of the camp are rarely accessed.

The Women of Daech: Tunisian women in Syrian camps

In northern Syria, far from the battlefield yet deeply marked by war, women and children live in camps where the past lingers and the future remains uncertain.

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ABOUT

Inkyfada Podcast is the first platform entirely dedicated to original Tunisian podcasts, and was conceived by Inkyfada media in collaboration with the in-house research and development laboratory, InkyLab.
Inkyfada joined the global podcast boom in 2017, when the team produced the first Tunisian audio documentary, diving deep into the belly of the El Kamour struggle taking place in the desert.
Since then, Inkyfada Podcast has produced a wide variety of documentaries, investigations, and podcast series, as well as articles accompanied by music; covering a multitude of contemporary issues in order to offer an immersive and alternative podcast experience.
Whilst exclusively offering audio content, the Inkyfada Podcast team upholds the same core values and principles of inkyfada.com, and is committed to producing high quality content though a dynamic and meticulous production process.
In addition to the permanent team, Inkyfada podcast works closely with various journalists, artists, illustrators, musicians and other content creators in order to diversify the platform and support artistic creativity.
These podcasts differ from traditional radiophonic content in that the applied production and editing process is more akin to cinematographic techniques, in addition to being web-based, downloadable and accessible on demand.
Additionally, Inkyfada Podcast uniquely offers subtitles in French, Arabic and English for all audio content, the majority of which is recorded in Tunisian or in the preferred language of the speaker in question.

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