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| EPISODE 2

They were children, and suddenly..

Entering a youth rehabilitation center is not merely stepping into an institution. It is crossing into a suspended space, where childhood has been interrupted by war, ideology, and exile — and where the future remains uncertain.
15 February 2026
series [{"user_id":"1473","role":"Editorial support and sound design"},{"user_id":"1408","role":"Illustrations and digital art"}] https://inkyfada.com/wp-content/uploads/2026/02/Podcast-Les-Femmes-de-Daech-des-tunisiennes-dans-les-camps-syriens-Episode-02.mp3 Podcast : Les Femmes de Daech: des tunisiennes dans les camps syriens - Episode 02 : Ils étaient petits, et soudain.. | بودكاست: "تونسيات في المخيمات السورية " - الحلقة 02 : كانوا صغار، وفجأة.. | Episode 02 : They were children, and suddenly.. Episode 02 : Ils étaient petits, et soudain.. | الحلقة 02 : كانوا صغار، وفجأة.. | Episode 02 : They were children, and suddenly..

في اليوم الثاني من وجودنا في الميدان، جاء الإذن في اللحظات الأخيرة تقريبا: سمح لنا بزيارة مركز إعادة تأهيل الأطفال. قرار متأخر يعكس الحساسية القصوى لهذه الأماكن، حيث تتقاطع الاعتبارات الأمنية والنفسية والسياسية.

Entering a youth rehabilitation center is not merely stepping into an institution. It is crossing into a suspended space, where childhood has been interrupted by war, ideology, and exile — and where the future remains uncertain.

Entrer dans un centre de réhabilitation pour mineurs, ce n’est pas seulement franchir une porte administrative. C’est pénétrer dans un espace suspendu, où l’enfance a été interrompue par la guerre, l’idéologie et l’exil, et où l’avenir reste une question ouverte.

 93859
Created by
Malika Cécile Louati
Editorial support and sound design
Oussema Gaidi
Illustrations and digital art
Hathemi Smedhi

On the second day of our presence in the field, the authorization came almost at the last minute: we were allowed to visit the youth rehabilitation center. A late decision that reveals the extreme sensitivity of these places, where security, psychological, and political concerns intersect.

Behind the technical terminology, a more fragile reality emerges: how can childhoods shaped by violence be repaired without erasing what they have lived through?

One by one, doors opened onto children’s stories — their fragmented memories of Tunisia, followed by their arrival in areas controlled by the Islamic State, where war became normalized and fear turned into routine. The brutal separation from their families, forced displacement, the camps, before finally ending up here, in a center meant to prepare them for a possible return to society.

One question lingers beneath every testimony: how does a society welcome children marked by a war they did not choose?

The Women of Daech: Tunisian women in Syrian camps

In northern Syria, far from the battlefield yet deeply marked by war, women and children live in camps where the past lingers and the future remains uncertain.

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ABOUT

Inkyfada Podcast is the first platform entirely dedicated to original Tunisian podcasts, and was conceived by Inkyfada media in collaboration with the in-house research and development laboratory, InkyLab.
Inkyfada joined the global podcast boom in 2017, when the team produced the first Tunisian audio documentary, diving deep into the belly of the El Kamour struggle taking place in the desert.
Since then, Inkyfada Podcast has produced a wide variety of documentaries, investigations, and podcast series, as well as articles accompanied by music; covering a multitude of contemporary issues in order to offer an immersive and alternative podcast experience.
Whilst exclusively offering audio content, the Inkyfada Podcast team upholds the same core values and principles of inkyfada.com, and is committed to producing high quality content though a dynamic and meticulous production process.
In addition to the permanent team, Inkyfada podcast works closely with various journalists, artists, illustrators, musicians and other content creators in order to diversify the platform and support artistic creativity.
These podcasts differ from traditional radiophonic content in that the applied production and editing process is more akin to cinematographic techniques, in addition to being web-based, downloadable and accessible on demand.
Additionally, Inkyfada Podcast uniquely offers subtitles in French, Arabic and English for all audio content, the majority of which is recorded in Tunisian or in the preferred language of the speaker in question.

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